Aleksandra Artamonovskaja
Aleksandra Artamonovskaja is a curator, cultural strategist and program leader working across art, artificial intelligence and emerging technology. She is Head of Arts at Trilitech and founder of Electric Artefacts. Her work connects artists, cultural institutions and technology companies through curatorial projects, strategic partnerships and public programming.
At Trilitech, the entrepreneurship team supporting Tezos technology, she leads global arts initiatives across the ecosystem. She oversees budget allocation and program delivery, managing an internal team and a network of specialist contractors. Through Electric Artefacts, the curatorial advisory she founded in 2020, she helps founders and teams develop arts and technology programs, from strategy and partnerships to delivery.
Previously, Aleksandra was part of the core team that launched .ART, the internet domain for the arts community, in 2016. She oversaw strategic partnerships and produced a video interview series exploring how arts professionals and institutions approach their digital presence.
In 2022, she helped launch RELI3F, a humanitarian initiative that brought together more than 60 artists worldwide and raised over $1.5 million for Ukrainian charities.
Aleksandra delivers keynotes, lectures and practical workshops on artificial intelligence, digital art, blockchain and the creative economy. Her speaking engagements include Serpentine, Tate, OFFF Festival and Christie’s Education.
She holds a master’s degree in Art Business from Sotheby’s Institute of Art. Her earlier experience includes work at Brio Partners, a leadership development consultancy.
Curatorial work
Code Chronicles (2023) and Code Chronicles V2 (2026) form part of an ongoing curatorial investigation into computational systems and contemporary artistic practice. Although not explicitly framed around gender, both exhibitions presented the work of women artists exploring the intersections of algorithms, AI, and image-making.
Code Chronicles
https://www.bitforms.art/exhibition/code-chronicles
Code Chronicles V2
https://www.bitforms.art/exhibition/code-chronicles-v-2
Selected press and interviews
Elisa Carollo, “Aleksandra Artamonovskaja On Technology’s Role in Art’s Evolution,” Observer, 25 August 2025.
Louis Jebb, “Aleksandra Artamonovskaja is appointed head of arts for TriliTech, the entrepreneurship team supporting Tezos,” The Art Newspaper, 15 April 2024.
George Nelson, “Basel’s House of Electronic Arts and Tezos Foundation Partner to Preserve Digital Art,” ARTnews, 6 February 2026.
Further coverage
Song Jung-hyun, “Tech expands realm of future art,” The Korea Herald, 4 September 2023.
Tom Farren, “ATP Hits A Winner With Generative NFT Drop,” ONE37pm, 3 January 2023.
Dorian Batycka, “What Does the Rise of A.I. Models Mean for the Field of Generative Art?,” Artnet, 25 November 2022.
Tom Farren, “Visionaries are doubling down on community ethos amid a bearish cycle,” Cointelegraph, 15 May 2022.
Tom Farren, “Web3 initiative Reli3f has raised over $1.5M for Ukrainian aid efforts,” Cointelegraph, 17 April 2022.
Kate Wills, “Ukrainians in London: Meet Those Who Are Helping Out Their Home Country,” Evening Standard Magazine, 11 March 2022.
Raisa Bruner, “Ukraine Received More Than $30M in Donations. Here’s Where It’s Going,” TIME, 1 March 2022.
John Gapper, “The Bored Ape Yacht Club is more than an NFT joke,” Financial Times, 17 December 2021.
Kyle Chayka, “Why Bored Ape Avatars Are Taking Over Twitter,” The New Yorker, 30 July 2021.
Marcus Bradshaw, “A new digital initiative is empowering student artists in the Czech Republic,” Expats.cz, 4 March 2021.
Elizabeth Novacek, “AAU Success Stories: Interview with Aleksandra Artamonovskaja,” Anglo-American University, February 2021.
“An Insight Into .ART Domains,” Splish, 21 May 2020.
Documentaries
Netflix
NFT:WTF? | The Rise and Fall of NFTs
Director: David Shulman
Writing
https://art.art/blog/writer/aleksandra-artamonovskaja
‘Digital Art Ecosystem’, The Digital Art Observatory Whitepaper on Digital Collaborations, 2021
(Available on request)
Selected speaker events:
Art Seoul
L’ESPACE ETNAH GODEOK (Lightroom Seoul)
5 Septemeber 2023
Panel with Sebastien Borget of The Sandbox, Woojuin - TheSandBox Voxel Creator, Andy Ku, Founder and CEO of ALTAVA GROUP and Grida, curator of IHAM gallery Paris.
Tezos Summit
Spring Studios, 6 St Johns Lane, New York
12 April 2023
Panel on the multiplicity of creative mediums
Speakers: Sasha Stiles, Michael Zancan, Laurence Fuller, Aleksandra Artamonovskaja
Keynote session
Microsoft Reactor, London
22 November 2022
Keynote about career journey, art market’s transition towards digital and selected case studies.
Proof of People
Fabric London
6-8 July 2022
Panels:
The applications of sports and gaming in web3
Speakers: Silly Tuna, Pet Berisha, Kelly Anne, Asa, Aleksandra Artamonovskaja
Moderated by Holly Wood
The Beautiful World of Generative Art
Speakers: Marcelo Sorario, Iskra, Anna Lucia, Ciphrd, Zancan
Moderated by Aleksandra Artamonovskaja
Collecting Art on Tezos - Patrons, Flippers, or Art Lovers?
Speakers: Ed, Joshua Yakov, Holly Wood, Ivan Lonliboy
Moderated by Aleksandra Artamonovskaja
How Can We Make the Web3 Art Ecosystem More Accessible for Institutions and Universities?
Speakers: Bernadine Brocker, Chris Follows, Mimi Nguyen, Marlene Corbun
Moderated by Aleksandra Artamonovskaja
NFT.NYC
New York Marriott Marquis, Times Square
23 June 2022
Social change: Art and NFTs as a Lever of Influence
Speakers:
Fiona Aboud, Artist and Photographer
David All, Founder ChangeDAO
Holly Wood, Artist relations Rarible
Aleksandra Artamonovskaja, Joyn
Tate
Tate Museum, London
25 November 2021
Lecture for Young People's Programmes at Tate about digital assets and creative economy as well as building a career and running a business at the intersection or art and technology.
AWITA
23 April 2021
Ars Electronica Festival
Ars Electronica New World Channel (Online)
10 September 2020
Business Models for Online Contents
The panel Business Models for Online Contents investigated various entrepreneurial endeavors of platform-based access to online content, and how they are monetized. Crowdfunding, licenses or subscription models are only a few of the strategies institutions have to generate revenues in cultural & creative industries, and to secure revenue for artists and content developers.
These questions are even more important today, given the situation created by COVID-19, which is forcing players in the cultural and creative industries, public and private, to rethink their activities through different business models.
Speakers: Brendon Ciecko (US), Ulvi Kasimov (UK), Aleksandra Artamonovskaja (CZ/UK), Sabine Seymour (AT) Moderators: Nathalie Pichard (CH), Thierry Baujard (FR)
This conference was realized within Digital Cross Over and co-funded by the Creative Europe Programme of the European Union.
Central Saint Martins Symposium on Monetisation and value in the art world.
Central Saint Martins University, London 30 November 2019
Promises and Realities of Digital Technologies
The questions were provocations about the relationship between art and technology; curating and technology; and the evaluation and monetisation of art through technological systems. They are inevitably embedded within the capitalist modus operandi of current environments, such as web-based environments, which at a certain point seemed to promise the democratisation of communication and art. The guests on this panel were artists, practitioners, academics and curators.
Speakers: Tsila Hassine, Christopher Kulendran Thomas, Aleksandra Artamonovskaja and Samuel Capps, chaired by Lee Weinberg.
Panel with exhibiting artists Jonas Lund and Yoshi Sodeoka on their newly commissioned project ‘Terms of Agreement’ for MoMI’s media wall.
OFFF Festival
Disseny Hub, Barcelona
5 May 2022
Keynote on Electric Artefacts, the growth of the creative economy and selected case studies.
The Art Market Day 2019: La Conférence du Quotidien de l’Art
Le Grand Palais, Paris
18 November 2019
Aleksandra Artamonovskaja sharing .art Big Data model at the Art Market Day conference in Paris.
Data and the Art Market
Speakers:
Aleksandra Artamonovskaja, Director of Partnerships, .ART
Sophie Neuendorf, Vice-President Partnerships, Artnet
Pontus Silfverstolpe, co-founder, Barnebys
Dorit Straus, Wonder AI
Moderator: Adriano Picinati di Torcello, Director, Deloitte Art & Finance
While everyone uses auction databases, the big data revolution has not fully reached the art market. However, new types of data exist, and companies are starting to put them at the service of market players. The roundtable aimed to understand what these solutions are and how we can use them.
Seoul 2023
COEX, Seoul
1 September 2023
Keynote on Co-creation, decentralized curation and opportunities for artists using new technologies
Show Europe
City of Arts and Sciences, Valencia
18 September 2022
The Present and Future of AI and Art
A discussion with leading artists building their own AI systems.
Panelists: Ivona Tau, Sofia Crespo and Jenni Pasanen
Moderator: Aleksandra Artamonovskaja
0xArt
The Arts Club, 40 Dover St, London
1 March 2022
The Digital Revolution: From Cryptopunks to Picasso
Panelists: Alexander Ryvkin, David Moore, Premala Matthen, Wincent Lau
Moderator: Aleksandra Artamonovskaja
NFTLDN
Unit Gallery, 3 Hanover Square, London
6-7 November 2021
From UK Worldwide: Artists and Creators
NFT.LDN was a weekend-long event dedicated to crypto art and NFTs. Led a panel with leading artists in the space focusing on the challenges and opportunities NFTs offer and how to establish an artists’ career in the ever evolving ecosystem.
Panelists: Defaced, Matthew Stone, Brendan Dawes, Miss Al Simpson
Moderator: Aleksandra Artamonovskaja
Legal Geek Conference
Shoreditch, London
6 October 2021
NFTs: Crypto Art Ecosystem
A panel on the topic of Non-fungible tokens and their applications in art with Lumen Prize finalist and renowned generative artist Brendan Dawes and blockchain art market specialist Aleksandra Artamonovskaja. The session covers an artists' experience navigating the NFT ecosystem and answer some of the popular questions that arise when it comes to buying and selling digital assets.
EMERGE 2021
Online
12-14 May 2021
Welcome to the Wild Wild West of the NFT Market
Speakers:
Aleksandra Artamonovskaja
Sven Eberwein, Artist and designer at Tesla
Jamie Burke, Founder and CEO Outlier Ventures
Fernando Verbonen, Co-Founder CurioInvest
Vastari
Online
3 March 2021
Are NFTs the Future of Digital Art?
Speakers:
Jason Bailey (Artnome)
Fanny Lakoubay
Aleksandra Artamonovskaja
The talk exploring the trend for collecting NFTs that grew in 2020, and the potential for these digital artworks to be displayed in museums in the coming years. This discussion looked at the concepts of scarcity versus exposure and the aura of the original in a blockchain context.
CADAF: Digital Art Month Miami
Online
22 December 2020
The Evolution of Digital Art: Past, Present, Future
A conversation about the past, present and future of digital art.
Panelists:
Aleksandra Artamonovskaja, Director of Partnerships, .ART
Christina Steinbrecher-Pfandt, Co-founder of Blockchain.art
William Deresiewicz, Author of "The Death of the Artist"
Moderator: Giulia Archetti, Sotheby’s
Press Conference: ArtUp Nation
The Contemporary And Digital Art Fair (CADAF Online) 27 June 2020
.art Domains present: CONVERSATION – Wemakemoney.art: Exit Through the Appstore
Speakers:
Tsila Hassine
Yoav Lifshitz
Gabriel S Moses (ArtUp Nation) Aleksandra Artamonovskaja (.ART)
A conversation with ArtUp Nation about blurring the boundaries between artistic action and market disruption.